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Cover: Four Horsemen of the Apocalypse – Albrecht Durer

 

Durer used the subject of the four horsemen— who are given the power to kill a fourth of mankind with sword, with hunger, with death, and with the beasts of the earth—to make the famous representation of destruction passing over the earth like a storm. German art up to then has nothing that can be compared to this effect of movement. Durer brought the four figures, who appear in the text one after the other and had never before been shown as one group, closely together. He lifted them up in the air and thus gained a number of corresponding, fantastic movements. At that time he was not yet entirely capable of representing a horse, let alone a horse in movement, but he worked with suggestive effects of lines which made more perfect drawing superfluous.

These horses do not gallop equally well, and in the case of the panting, scrawny horse of Death the laboured movement is even intentional; but the main motif, the rider who leans forward in the saddle and swings the scales in his lifted hand like a hunting whip, has a fine, powerful movement. The animals make big strides; their hind legs are not visible and this greatly adds to the effect. All four horsemen look into the distance, none at the nearest object. They form a chain which goes through the whole picture and completely crushes everything on the ground. This too is new. In older representations usually only a small heap of people were shown in front of Death.

On the lower left is the mouth of Hell, and rays of light are seen in the top left corner. An angel with mighty wings accompanies the group (it is the angel, carrying a crown, who is poised originally over the first horseman); a white cloud rises steeply like a column of dust raised by the strong beat of hooves. But the atmosphere of the sheet is determined above all by the vehement collision of light and shade and the general linear commotion at the edges of the clouds, the fluttering saddle-cloths, garments, manes and tails. There is a trembling and roaring in the air.

Heinrich Wolfflin – The Art of Albrecht Durer